Jonathan Lethem
Jonathan Lethem's first detective novel since Motherless Brooklyn
"One of America's greatest storytellers." —Washington Post
Phoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She's looking for her friend's missing daughter, Arabella, and hires Heist to help. A laconic loner who keeps his pet opossum in a desk drawer, Heist intrigues the sarcastic
...This is the story of 1970s America, a time when the most simple human decisions—what music you...
"A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe
Brooklyn's very own self-appointed...
At the center of Jonathan Lethem’s superb new novel stand two extraordinary women: Rose Zimmer, the aptly nicknamed Red Queen of Sunnyside, Queens, is an unreconstructed Communist who savages neighbors, family, and political comrades with the ferocity of her personality and the absolutism of her...
Alexander Bruno travels the world playing high stakes backgammon and hunting for amateur “whales” who think they can challenge him. Lately he’s had a run of bad luck, not helped by the blot that...
From the award-winning author of The Feral Detective and Motherless Brooklyn comes an utterly original post-collapse yarn about two siblings, the man that came between them, and a nuclear-powered super car.
The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted—cars, guns, computers, and airplanes, for starters—quits working. . . .
...Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate. This edition features a new introduction by Jonathan Lethem.
For more than seventy...
9) Wastelands
Famine, Death, War, and Pestilence—the Four Horsemen of the Apocalypse, the harbingers of Armageddon—these are our guides through the Wastelands.
From the Book of Revelation to The Road Warrior, from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed
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